Slavs and Tatars presents Egana Djabbarova
Slavs and Tatars presents Egana Djabbarova
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Slavs and Tatars presents Egana Djabbarova… brings together translations into English and German of two poetry cycles by the award-winning Russian-Azerbaijani author Egana Djabbarova and is published on the occasion of the exhibition ‘Handdschob’ at Kunstmuseen Krefeld. Both cycles, ‘Romberg Stances’ and ‘User Manual for the Vercise Implantable Pulse Generator’, are examples of docu-poetry. In a powerful and capacious manner, they explore the idea of disability and its entanglements with exile and migration. The publication also includes a critical essay by Slavs and Tatars and Manca Arnuš on Djabbarova’s work, a foreword by Katia Baudin, director of Kunstmuseen Krefeld, and works by the exhibiting artists, who investigate the body as a technology and a craft in its own right.
Egana Djabbarova, born in 1992 into an Azerbaijani family in Yekaterinburg, Russia, is a poet, essayist and scholar. She is the author of several poetry collections and three novels, including My Dreadful Body (2026). Her work has appeared internationally in literary journals and anthologies, and she has taken part in literary events and academic programmes in Europe, Asia and the United States. She has been longlisted for the 2026 National Book Award for Translated Literature, is a recipient of the Hamburg Literature Prize 2025, and is an Artist Protection Fund Fellow at the University of Hamburg (2026–2027). Since 2024, she has lived in exile in Germany.
Slavs and Tatars is an internationally renowned art collective devoted to an area east of the former Berlin Wall and west of the Great Wall of China known as Eurasia. The collective’s work has been the subject of solo exhibitions at institutions around the world, including the Vienna Secession; MoMA, New York; Salt, Istanbul; and the Albertinum, Dresden. Its practice is based on three activities: exhibitions, publications and lecture-performances. Slavs and Tatars have published extensively on multilingualism and alphabet politics, including Azbuka Strikes Back (2024), Wripped Scripped (2018) and Khhhhhhh (2012).
Published on the occasion of the exhibition
“Slavs and Tatars: Handdschob”
Kunstmuseen Krefeld, Haus Esters
4 October 2026 – 7 March 2027
Edited by Katia Baudin
With texts by Egana Djabbarova, Katia Baudin, Slavs and Tatars, Manca Arnuš
With works by Shadi Al-Atallah, James Gregory Atkinson, Jan Bačynsjkyj, Zishi Han, Wei Yang, El Kazovszkij, Nadia Markiewicz
Translation Maria Rajer (Russian – German), Hilah Kohen (Russian – English)
Design Rosen Eveleigh
Softcover, 172 pages, 22.5 × 30 cm
Russian / German / English
Print run 1,200
Grass Publishers, Brauweiler, September 2026
ISBN 978-3-946848-40-0
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